Creed II lands solid marks as a father-son drama, but where it’s truly a knockout is in the ring, adding another winner’s notch to this 42-year-old franchise’s belt.
9.5 out of 12 Tamales
Creed II lands solid marks as a father-son drama, but where it’s truly a knockout is in the ring, adding another winner’s notch to this 42-year-old franchise’s belt.
9.5 out of 12 Tamales
The beasts may still be fantastic, but Grindelwald’s and J.K. Rowling’s biggest crime is a disregard for coherency and Harry Potter.
6 out of 12 Tamales
Rewarding viewers for staying with its clever—if overstuffed—jigsaw plot, Hill House scares as much as it entertains.
8.5 out of 12 Tamales
Overlord, directed with frenetic energy by Julius Avery, is a Molotov cocktail of historical fiction meets zombies worth chugging.
10 out of 12 Tamales
An ode to the ridiculous, The Long Kiss Goodnight, with an on-point performance from Geena Davis, is an underappreciated, hyperbolic gem from writer Shane Black.
10.5 out of 12 Tamales
More B-side than A-side, Bohemian Rhapsody misses the opportunity to take full advantage of Queen’s stellar catalog and Rami Malek’s spot-on Freddie Mercury.
6.5 out of 12 Tamales
28 Days Later’s realistic what-if-the-zombie-apocalypse-came-to-fruition depiction gives this pièce de résistance of a horror film a surprisingly human edge.
11 out of 12 Tamales
Walking an incendiary fine line between divisive and unifying, The Hate U Give intrepidly tackles a hot button issue—and no matter what side you’re on—it’s hard to deny Give’s powerful performances and solid direction.
9 out of 12 Tamales
A charming and commanding Robert Redford, in purportedly his final role, takes the viewer on one last adventure in The Old Man & the Gun, an old-fashioned heist shot with style and quaint bravado.
10.5 out of 12 Tamales
Old school scares, new school laughs, 2018’s Halloween is more of the same, but it somehow feels just as fresh 40 years later.
8 out of 12 Tamales