Redeemability at zilch and villainy at Mach 10, I Care a Lot is a disgraceful, fiery train wreck you can’t help rubbernecking.
8.5 out of 12 Tamales
Redeemability at zilch and villainy at Mach 10, I Care a Lot is a disgraceful, fiery train wreck you can’t help rubbernecking.
8.5 out of 12 Tamales
More than just The Bay State’s Garden State, Wayne—or badassness captured in a bar-fight bottle—is the epitome of originality, creativity, and tenacity.
12 out of 12 Tamales
Even without a titular archeologist leading the way, Netflix’s The Dig unearths enough dramatic intrigue to make this a film worth exhibiting.
9 out of 12 Tamales
By taking a novel angle on the police procedural, The Little Things eludes getting completely caught up in its menagerie of typical detective-story characters.
7.5 out of 12 Tamales
With Carey Mulligan’s sharp and poised performance evoking hints of Kill Bill’s The Bride, Promising Young Woman rouses as it serves this dish of cautionary entertainment bitter cold.
11 out of 12 Tamales
Even with Melissa McCarthy’s high comedy IQ, Superintelligence is an unintelligible, unfunny, meandering mess.
4 out of 12 Tamales
While the genre, record store set rom-com, should have a bigger catalog by now, High Fidelity still hits enough high notes twenty years later to fill the void of this lacking movie category.
10 out of 12 Tamales
Heartbreaking countdowns, a compelling soundtrack, and fantastic performances—from all leads—take center stage in Hulu’s effervescent take on Nick Hornby’s High Fidelity.
11 out of 12 Tamales
As Cobra Kai’s third season effectively delves deeper into Karate Kid’s mythos, the present-day storylines go the way of Nintendo’s Double Dragon or Sega’s Streets of Rage, and that’s not remotely a bad thing.
9 out of 12 Tamales
Soul’s simpatico union of soulfulness and thoughtfulness harmonize well in Pixar’s latest rendering of CGI art imitating the wonders of life.
10 out of 12 Tamales