By taking advantage of the cast’s smashing performance, King Richard serves up an ace and wins its match against the monotony of traditional biopics, even if King double faults on a few minor points.
9 out of 12 Tamales
By taking advantage of the cast’s smashing performance, King Richard serves up an ace and wins its match against the monotony of traditional biopics, even if King double faults on a few minor points.
9 out of 12 Tamales
On the one hand, The French Dispatch is a pedantic menagerie of mid-century, francocentric vignettes told in Wes Anderson’s distinct voice, on the other hand…
7 out of 12 Tamales
Dune’s dazzling effects, mystical score, cinematic world-building, and powerful performances sand away the film’s few rough edges.
9.5 out of 12 Tamales
Grounded and groundbreaking, Netflix’s Maid makes the most of its ten gut-wrenching episodes.
11 out of 12 Tamales
The gentle nod to The Office goes full-on whiplash as season three goes from original to derivative to repetitive, but even then, What We Do in the Shadows is funnier than most shows currently on TV.
8 out of 12 Tamales
What If…?’s foray into the multiverse begs the question, what if Thanos’ snap halved the quality of this Disney Plus series?
6 out of 12 Tamales
Eternals’ super power, poignancy, lifts this unconventional Marvel entry past its prosaic exposition and brings a touch of humanity to a film that sometimes loses itself in its own otherworldliness .
8 out of 12 Tamales
Only Murders in the Building, or the Martin and Martin Show, is charmingly old-fashioned, a whodunnit that marches to the beat of Steve and Short—with Selena Gomez orchestrating.
10 out of 12 Tamales
Never lacking in the dummy-had-it-coming scenes, Halloween Kills buries the rules and the sense, if there ever was any, and has some fun with the Michael Myers mythology.
7 out of 12 Tamales
“Ted Lasso” might cross the pond into American soap opera territory; irregardless, it scores another winning season.
9 out of 12 Tamales